The music of Barbados-born singer Rihanna--a breezy blend of hip-hop, commercial pop, and Caribbean flavors--made her a bona fide superstar before the age of 20. Given her immediate success, one had to wonder if Rihanna would be a flash in the pan, but her third album, 2007's GOOD GIRL GONE BAD, is a winner. Interestingly, Rihanna avoids the Caribbean tinge that made her breakthrough single "Pon the Replay" a massive hit, sticking instead to more straightforward dance-pop designed for the club and the singles charts. More interesting still, she pulls it off with assurance and skill.
It doesn't hurt that heavyweight producers such as Timbaland (who contributes several tracks to GOOD GIRL) are on board, or that Rihanna is backed by the Def Jam empire. In fact, Def Jam president Jay-Z appears on the album's lead single, "Umbrella," an irresistible, stomping dance anthem that does exactly what a single should. Another highlight is "Shut Up and Drive," which works a powerful groove based around a sample of New Order's "Blue Monday." There are notably fewer ballads here than on Rihanna's sophomore effort, which is a welcome change, and makes the album more focused, energized, and danceable front to back.
Tracklistings :
1. Umbrella (feat Jay-Z)
2. Push Up On Me
3. Don't Stop The Music
4. Breakin'Dishes
5. Shup Up And Drive
7. Hate That I Love You (feat Ne-Yo)
8. Say It
9. Sell Me Candy
10. Lemme Get That
11. Rehab
12. Question Existing
13. Good Girl Gone Bad
Monday, June 18, 2007
Good Charlotte - Good Morning Revivals
Following the chart-topping pop punk of their first three albums, GOOD MORNING REVIVAL is to Good Charlotte what WARNING was to their obvious stylistic forebears, Green Day: an attempt to expand the stylistic confines of their music without losing sight of what their fans want to hear. GOOD MORNING REVIVAL isn't trying to capture critical favor, nor is it a self-important concept album or stylistic experiment. Instead, twin brothers Joel and Benji Madden incorporate new and different musical influences into their now familiar sound, and the brothers' lyrics feature a newfound maturity and personal viewpoint that was not always so obvious on their earlier albums. Indeed, the power ballad "Where Would We Be," a paean to Joel's break-up with his pop princess ex, Hilary Duff, is the most autobiographical song so far in the band's oeuvre. Elsewhere, the moody, pessimistic "The River" and the defiantly optimistic closer "March On" neatly define the album's emotional poles.
Tracklistings:
1. Good Morning Revival (Intro)
2. Misery
3. River - The (with M.Shadows/Synyster Gates)
4. Dance Floor Anthem
5. Keep Your Hands Off My Girl
6. Victims Of Love
7. Where Would We Be
8. Break Her Heart
9. All Black
10. Beautiful Place
11. Something Else
12. Broken Hearts Parade
13. March On
Tracklistings:
1. Good Morning Revival (Intro)
2. Misery
3. River - The (with M.Shadows/Synyster Gates)
4. Dance Floor Anthem
5. Keep Your Hands Off My Girl
6. Victims Of Love
7. Where Would We Be
8. Break Her Heart
9. All Black
10. Beautiful Place
11. Something Else
12. Broken Hearts Parade
13. March On
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